Modern Artists Gallery

Patrick John Mills

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PATRICKS HEAD
STUDY FOR A PORTRAIT
STUDY FOR A PORTRAIT
SELF PORTRAIT
Patrick John Mills  Self Portrait lll
SUNFLOWER MAN
THREE VOICES
DAY AND NIGHT
FORTY WEEKS
LOVERS
THE MODERN FAMILY SERIES TRIBE 1
THE MODERN FAMILY SERIES
TUBE MAP SERIES 1
TUBE MAP SERIES 2
TUBE MAP SERIES 3
TUBE MAP SERIES 4
TUBE MAP SERIES 5
TUBE MAP SERIES 6
BLUE WAVE
BIRD WOMAN

 

Born: 1972 Quebec
Lives: UK/Ontario
Education: Concordia University Montreal
Engineering/Fine Art

Image: Jackie Whitty hiding behind Study for Self Portrait

Dear Peggy
Why did I do the 'Bird Woman'? I have been doing Bird Man... many paintings. The idea of flying, freedom, movement, flow has been a undercurrent theme in my paintings for some time now

The 'Tube Map' series of paintings are a modern landscape. Since coming to London I have wished to do paintings of London. But Monet did Westminster and the Thames. Pissarro did rural landscapes outside of London. Turner did so many brilliant landscapes. For many years I searched London for my secret special location. But inner resistance prevented me. It seemed redundant to paint Saint Pauls or Big Ben. To paint in a traditional manner a landscape of London was not something I could feel sincere about.

The Underground has a design, a structure, a colour field. It is something that is the central nervous system to the city. Living in London for six years I have travelled on the underground on many occasions. Watching people, talking, having conversations with individuals, thinking, contemplating. Being stuck on the underground, or being squeezed on trains. Forget about getting a seat... Can I get on the fuckin' train... period. I really love London. It is a great city. So the Study of the Underground paintings are filled with colour, vibrancy, texture, transparency, depth and passion.

I hope this helps you with your questions...
with love
Patrick

p.s. "I am happy and focused on doing some new painting, the sunshine is great, and the light is really keeping my eyes open and light is entering my paintbrush"

Poem: Dear Theo (tribute to Vincent van Gogh) (Sun Flower Man)

Vincent face the sun

hold on to your gun

Can you hear me?

See me?

I am a chair

I am a flower

Blowin' in the open field

Sunflower seeds harvesting

inside of me

Vibrating grass

empty canvas

Now there is nothing left

but these cold paintings

these vibrating portraits

and couples walking hand in hand

Dear Brother

Do you understand?

Do you have light?

in this starry night.

Patrick John Mills 1995


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