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Bath Spa University College, Bath: BA (Hons.) Fine Art (Painting): 2.1 (2002-2005)
Byam-Shaw School of Art, London: BTEC Diploma in Fine Art: 79% (Merit) (2001-2002)
Modern Artists Gallery Berkshire 'Black in Back' February 08
'Salon Locale', The Gallery, London August.
'Eyeplay', Bankside gallery, London August.
'Semaphore', Chalmers Bequst Gallery, London November.
Modern Artists Gallery Berkshire
Selected:
New Gallery Artists, Modern Artists Gallery Berkshire July-August.
'The Land Escape', Modern Artists Gallery Berkshire April.
'The Figure - Transcribing The Human Form' Campbell Hall Gallery Western Oregon University USA April.
Islington Contemporary Art & Design Fair Candid Arts Trust Galleries London March.
'Winter Hues', Modern Artists Gallery Berkshire February-March.
'After The Heath', The Bull & Last Gallery London February-March.
2006
'Winter Salon', Hackney Museum, London, December-February 2007.
‘Semaphore’, group show, Chalmer’s Bequest Gallery, London, November.
Artist's Reception, Orange county, California, October.
‘Summer Show’, Mile End Art Pavilion, London, August-September.
‘Works On Paper’, group show, Flux Factory, Long Island, New York, May.
2005
’Secrets’: Royal College of Art, London, November.
The Affordable Art Fair: invited to exhibit and promoted at the event by Degreeart.com, London, October.
‘Popularity Contest’: Bath Spa University College graduate show, Studio 95, The Truman Brewery, London, July.
‘DegreeArt at Paintworks’: exhibition showcasing the work of degree students/graduates of the SouthWest, Paintworks gallery, Bristol, June.
Bath Spa University College annual degree show, Bath, June.
‘Summer Salon With A Twist’: Hackney Museum, London, May-July.
2003
‘Abstract Undressed’: a joint exhibition of painting, Wimbledon Theatre, London, May/June.
2002
‘Love In A Blue Time’: a group exhibition of work in response to the title of the Hanif Kureshi book, Byam-Shaw School of Art, London, May.
James Keniston explores the possibilities of painting through a variety of subjects as starting points such as human and animal forms, landscape and architecture.
Not always in one particular ‘style’ but an ongoing progression. Creating smaller ‘bodies’ of work, which show the development of ideas and pre-occupations at a given time.
Conveying line, form, shape and colour as well as the development of technical and material processes.

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